Let the dream begin, let your darker side give in to the power of the music of the night.” He has had a long and distinguished career in all sorts of pursuits and he is a master of ventriloquism, architecture and music. haha) This book changed my life...I'm so not kidding. :D). The frightened performers have seen the legendary Phantom (Ghost), claiming to have noticed a very ugly man, but well dressed in the passageway. Many sightings of this phantom, but he is never caught after all, how can you stop a ghost? Awesome Pictures.anyone who is a fan of the 1987 Andrew Lloyd Webber playI've almost learned how to play every piece in this on my piano.
Honestly, I tried, time and again. I would use my sister's songbook while my parents were out so that I could learn to play songs with which I was familiar without my mother making me take lessons. Erik kidnaps Christine, descends deep down, under the dungeon like cellars, the monster has a house on the eerie lake.
(Read it to your cool kid or niece/nephew! And we experience a dark and chilling tale within the walls (and the cellars) of the Paris Opera House.Amazing arrangements! The story begins on the night of the gala celebrating the retirement of the old opera directors who are going to hand over the Opera House to the two new directors.This book was surprisingly good... a surprise because most books written around this time (I believe this was written in 1909) seem to be very boring and/or difficult to read. I think perhaps this is now my favoriate classic! The prose is so simple, so readable, that the barest of essentials are there, in all their power and glory: the haunted house, the victim-lover, the victimizer-lover, the clandestine meetings, the haunted past, the switch-over of protagonists, the uncertainty caused by one elegant overflow of optical illusions, the Victorian conventions all intended to spook the hell out of a reader that's totally in awe of the way a classic story can be so expertly conveyed. The ending was GREAT!I totally wasn't expecting anything like it! This version stars This article is about the novel. Clearly these arrangements are suitable for beginners, but now when I play from this book I use this music as a template, fleshing out the music as I go. Indeed, Drumright notes that The Phantom of the Opera checks off every trope necessary to have a Gothic novel according to the Encyclopedia of Literature's description which says, “Such novels were expected to be dark and tempestuous and full of ghosts, madness, outrage, superstition, and revenge.” It is truly, TRULY (I want to scream out my window!) The frightened performers have seen the legendary Phantom (Ghost), claiming to have noticed a very ugly man, but well dressed in the passageway.
The Phantom is way cooler. And Erik finally understands that the only way to win people's love is to be kind and not kidnap them and respect their decisions. I'm ashamed to say that I had no idea what this novel was about but I loved it! It has everything in it! I love Gothic novels, but this one tops everything I've ever read. And we experience aA classic piece of French literature that sparked an American film & theater icon. Le Fantôme de l'Opéra = The Phantom of the Opera, Gaston Leroux The Phantom of the Opera is a novel by French writer Gaston Leroux. Le Fantôme de l'Opéra = The Phantom of the Opera, Gaston LerouxLe Fantôme de l'Opéra = The Phantom of the Opera, Gaston LerouxSorelli, a principal dancer in the beautiful, new, and fabulous Paris Opera House ( circa 1880) is angry, her dressing - room has been invaded, by half a dozen hysterical young ladies, ballet dancers. No; in fact, the writing is cliched and sometimes unintentionally funny but I love it just the same.Just a simple piano accompaniment and vocal selection from Phantom of the Opera. The cover illustration features a phantom holding a magenta curtain in the auditorium. The prose is so simple, so readable, that the barest of essentials are there, in all their power and glory: the haunted house, the victim-lover, the victimizer-lover, the clandestine meetings, the haunted past, the switch-over of protagonists, the uncertainty caused by one elegant overflow of optical illusions, the ViExcellent, marvelous. Many iterations of Leroux's Erik and his sinisterly tragic attraction to young ingenue Christine Daae have developed over the years.....some more sinister, while other more romantic in portrayal. However, Christine sympathizes with Erik and decides to sing for him one last time as a means of saying goodbye.
Very captivating and suspenseful and emotion-invoking. The following night, the enraged and jealous Erik abducts Christine during a production of When Erik is alone with Christine, he lifts his mask to kiss her on her forehead and is eventually given a kiss back. It was first published in 1994. To be honest, I didn't even know this was a book until I found it in the library, but now it's one of my favorites (let's put it this way -- I read it in one day). Back then I was a highly impressionable young whippersnapper, and The Phantom of the Opera certainly left an impression (among other effects, I greatly disappointed my piano teacher by insisting that I play a few Phantom songs for a recital).This was the first music that I learned to play. Still prefer the movie not many books I can say that about.
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