The Turner prize winner has been responsible for a number of public works around the world, including a cast of the fourth plinth in Trafalgar Square and the Holocaust monument in … Following the aquatic theme, Whiteread's Monument evokes the scene of the 1805 naval battle for which the square is named. She was the first woman to win the annual Turner Prize in 1993. She won the Turner Prize in 1993 and represented Great Britain at the Venice Biennale in 1997. Many of Whiteread's works are casts of ordinary domestic objects and, in numerous cases, their so-called While still at the Slade, Whiteread cast domestic objects and created her first sculpture, After her first solo exhibition, Whiteread decided to cast the space that her domestic objects could have inhabited.
They look like a regulated graveyard or a series of futuristic standing stones with a passing resemblance to television sets. The K Foundation, formed by the former pop band KLF, decided to award a prize of £40,000 (double the Turner prize money) for the worst artist of the year. ""This is another example of meritless gigantism that could be anywhere, and is the least successful of the gallery's six attempts to exploit its most unsympathetic space,""[looks] like a random pile of giant sugar cubes [...] Luckily, the £400,000 sponsored work is recyclable. She would like "to make a piece that was evocative without wanting to make a memorial to the World Trade Center." Dame Rachel Whiteread DBE (born 20 April 1963) is an English artist who primarily produces sculptures, which typically take the form of casts. From atop the walkway, it looks like a storage depot that is steadily losing the plot; from inside, as you thread your way between the mounds of blocks, it feels more like an icy maze. It was, Whiteread … "During the Holocaust, 65,000 Austrian Jews were executed, and in memory, The work was produced in two halves, and surface blisters of the cast were repaired by picking them off and filling the small craters with a syringe of resin. Rachel Whiteread was the winner of the 1993 Turner PrizeHer art operates on many levels: it captures and gives materiality to the sometimes unfamiliar spaces of familiar life (bath, sink, mattress or chair), transforming the domestic into the public; it fossilises everyday objects in the absence of human usage; and it allows those objects to stand anthropomorphically for human beings themselves.
""It's a simple trick, but an effective one, and the associations it conjures – heaviness and lightness, earth and heaven, death and life – are thought-provoking and manifold [...] Whiteread's Monument, as light and gleaming as the plinth is dark and squat, is the only one of the four commissioned pieces to allude directly to the plinth's defining emptiness. 'It was a chance to do an experiment. She sees it not as a space to be filled, but as an absence to be acknowledged, and she does it well." "This dazzling anti-monument monument looks like a glass coffin, but its watery transparency relates to the large fountain that dominates the Trafalgar plaza. Whatever else it is, Embankment is generous and brave, a statement of intent. The first woman to win the Turner Prize, she has had the K Foundation award of £40,000 foisted upon her and her face has been - in her words - ‘plastered all over the papers.’ "The challenge has been to work in collaboration with an architect [Finnish architect "'It was the ephemerality that appealed to me,' says Rachel Whiteread. The Turner Prize 1993 shortlisted artists were Hannah Collins, Vong Phaophanit, Sean Scully and Rachel Whiteread.
Birth registered in Ilford Registration District in the second quarter of 1963.Death registered in Tower Hamlets Registration District in December 2003.Death registered in Islington Registration District in September 1988. The shortlist for the £40,000 K Foundation award was identical to the shortlist for the well-established but controversial £20,000 Turner Prize for the best British contemporary artist. Turner Prize 1993 artists: Rachel Whiteread On the evening of 23 November 1993, Rachel Whiteread was presented with the 1993 Turner Prize inside London's Tate Gallery, and the 1994 K Foundation award on the street outside.
Rachel Whiteread became the first woman to receive the Turner Prize with her sculpture House (1993), a replica of the interior of a condemned London house created by filling a house with concrete and stripping away the mold.
Right now, Whiteread is the most famous artist in Britain. ""like a field of large glace sweets, it is her most spectacular, and benign installation to date [...] Monuments to domesticity, they are like solidified jellies, opalescent ice-cubes, or bars of soap – lavender, rose, spearmint, lilac. She applied for grants, describing the project as "mummifying the air in a room.
'I tried to imagine what one could sit there with some kind of dignity, to create a place of remembrance." The winner of the Turner Prize, announced near the end of the year in a televised ceremony, … Turner Prize 1993 artists: Rachel Whiteread Rachel Whiteread was the winner of the 1993 Turner Prize. The 1994 K Foundation award was an award given by the K Foundation (Bill Drummond and Jimmy Cauty) to the "worst artist of the year". '""With this work Whiteread has deepened her game, and made a work as rich and subtle as it is spectacular. ""Everything feels surprisingly domestic in scale, the intimidating vistas of the Turbine Hall shrunk down to irregular paths and byways.
She was one of the five artists shortlisted for the "What an extraordinary site, and what an honor to be asked to put something there," Whiteread states.
Rachel Whiteread, (born April 20, 1963, London, England), British artist known for her monumental sculptures that represent what is usually considered to be negative space. "Whiteread created this small, plaster sculpture for a charity auction by the Prior Weston PTA, in support of the Prior Weston primary school in The piece measures, a comparatively tiny, 16 cm x 11.5 cm x 11.5 cm. The prize was awarded to Rachel Whiteread
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