The collections of the Musée du Luxembourg (French contemporary art) and the Jeu de Paume (International contemporary art) are relocated in the west wing of the building, intended to house the newly created Musée national d’art moderne. The collections are relocated to the Centre National d’Art et de Culture Georges Pompidou, created at the initiative of Georges Pompidou, President of the French Republic, and inaugurated in 1977 in the Marais district. Palais de Tokyo building is constructed in 1937 for the Exposition internationale des arts et techniques de la vie moderne. The project however, was later abandoned…The demolition work led to the discovery of some remarkable spaces. New York had PS1, Berlin had KW, but where, they asked, was their Parisian equivalent? We will never give your details to anyone else without your consent. However, this particular Palais was not destined to see the light of day and the major redevelopment programme is definitively abandoned in 1998. The eastern wing of the building belongs to the City of Paris, and hosts the Musée d'Art Moderne de la Ville de Paris (Museum of Modern Art of the City of Paris). The troubled period of the Second World War had until now prevented its complete opening in the west wing of the building, where Palais de Tokyo now stands. When designing the west wing, Dondel and Aubert had followed the prescriptions of Louis Hautecœur, director of the national collections, who wanted minimal artificial lighting, lateral daylight for sculptures and overhead daylight for paintings. A miserly €3 million (£2.4 million) were made available for conversion work, and three architectural firms (out of 130 candidates) charged with drawing up developed proposals. The architects Anne Lacaton and Jean-Philippe Vassal are once again called upon to oversee the renovation work and refurbishment. The Palais de Tokyo was therefore to be simply a venue, with no permanent collection, occupying 7,800sqm of the 24,300 available in the west wing. This was just as well, since money was so short (both then and now) that they could do little more than carry out essential repairs, what one might term a minimalist intervention. The Palais de Tokyo (Tokyo Palace) is a building dedicated to modern and contemporary art, located at 13 avenue du Président-Wilson, facing the Trocadéro, in the 16th arrondissement of Paris. A labyrinth of soaring, grandiose volumes, the gutted Palais is astonishing, a visually sublime experience in the Burkean, Piranesian sense. A stimulating, pioneering and festive place, Palais de Tokyo is the ideal venue to host your events. Catherine Trautmann, the minister of Culture and Communication at the time, launches a scheme intended to consign part of the west wing building to the promotion of contemporary art. Occupying a two-hectare riverside site on the then Avenue de Tokyo (renamed Avenue de New York in 1945), it was conceived as a gallery for the modern-art collections of both the French state and the city of Paris, a never-the-twain parentage that led its Beaux-Arts-trained architects – Dondel, Aubert, Viard and Dastugue – to design a twin building.Disposed either side of a public piazza cascading down to the quayside, two discrete wings are linked on their entrance facades by a colonnade, and sport a stripped, streamlined, stone-clad Classicism that entirely hides the Superseded in its original purpose by the Centre Pompidou in 1976, it fulfilled a number of roles until, in the early 1990s, the culture ministry decided to install a cinema museum under its roof. And they remained open for 28 hours straight. Stripped to the bone, its interior resembles the industrial hulks so prized by loft dwellers and artists alike, while remnants of its former incarnation — polished-stone cladding in the Those disappointed by the clinical sterility of Tate Modern will appreciate the lived-in rawness here. Perhaps it is the rawness of the materials that are left to mingle and juxtapose the slight imposition of technology such as strip lights screwed into existing brick or the exposed cables running through the spaces that make Palais de Tokyo so different from its sibling museums.To see more of the Palais de Tokyo visit their site All images were provided by the architectural photographers of You'll now receive updates based on what you follow! ft. (22,000 sq. Sitting dormant and unused for latter part of the 20th century, it has since been reinvigorated by architects The gallery has grown from 7000 to 22,000 square meters. m.), making it the largest site devoted to contemporary creativity in Europe. In April 2012, Palais de Tokyo reopens after ten months of renovation work and a three-month closure.
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