george lewis, voyagerbluff park long beach

george lewis, voyager

5 George Lewis, Voyager (Avant, 1993) 6 Steve Coleman and Five Elements, Curves of Life (RCA, 1995) 7 Geri Allen, Maroons (Blue Note, 1992) 8 Jon Jang, Two Flowers on a Stem (Soul Note, 1995) 9 Ornette Coleman, Sound Museum: Hidden Man (Verve/Harmolodic, 1996) 10 Randy Weston, The Spirits of Our Ancestors (Antilles, 1992) DownBeat.com is owned and operated by Maher Publications. George Lewis Changing With the Times (1994) 71: 71. In this introduction to composer, musician, and interdisciplinary scholar George E. Lewis, music theorist Paul Steinbeck, a former student of Lewis’s at Columbia, sheds light on the intertwined histories of the Association for the Advancement of Creative Musicians (AACM) and Voyager, the computer system with which Lewis and Roscoe Mitchell will perform at CTM 2018.

When Mitchell joins in on alto a few minutes later, Voyager shifts to a rapid-fire attack recalling Conlon Nancarrow but also evincing some impressive dynamic shifts and pauses. The piano plays solo, as it were, for some seven minutes before Lewis enters with some jaunty trombone, the program clearly listening to him, and he to it. Quanta and Homecoming are composed by George Lewis and Roscoe Mitchell; Voyager is composed by George Lewis Recorded live by Arne Vierck at CTM Festival on February 2nd 2018 at HAU Hebbel am Ufer, Berlin, Germany Mixing: Tom Hamilton Mastering: Jean-Pierre Bouquet, L’Autre Studio, Vaires-sur-Marne, France Liner notes: Paul Steinbeck Photographs: Isla Kriss

“Quanta” mainly pits Roscoe Mitchell’s sopranino saxophone against the sounds produced by George Lewis through a laptop. Lewis' Voyager program has been used to trigger acoustic instruments and for this work, it's a piano. Much more fascinating is “Voyager,” when an interactive computer program created by Lewis activates an acoustic piano. It plays — I've no idea on the input — in a manner a few steps from Cecil Taylor, somewhat more romantic, maybe closer to some figuration of a smoother, more supple than usual Muhal Richard Abrams.

To better protect the privacy of Internet users, we have outlined our policy explaining our online information practices. Please make sure you have the correct George Lewis: - Jazz clarinetist & bandleader: George Lewis (2) - Member of Die Krupps & Skrew: George Lewis … But both Mitchell and Lewis have worked a great deal with musicians operating out of post-Cage strategies, sometimes successfully, sometimes, in this listener's opinion, uncomfortably, as though forcing their music into strictures that don't always serve them well.The music heard in this recording is from a concert in Berlin, given on February 2, 2018, some 47 years since the pair first met. George Lewis/Roscoe Mitchell ... Much more fascinating is “Voyager,” when an interactive computer program created by Lewis activates an acoustic piano.

Release: George Lewis Voyager. The final piece, 'Homecoming', is an acoustic duo, Lewis generating his patented, exuberant sputtering before turning to hyper-low burbles, to which Mitchell, on soprano, responds with gasped wheezes. George Lewis Homage to Charles Parker (1979) 75: 75. Mitchell vaults into the circular breathing torrents he's practiced since at least 'The Flow of Things' (Black Saint, 1987), over intriguingly dreamy electronics (possibly sampling some syrupy strings) — very effective — before Lewis brings things to an amusing conclusion, getting his laptop to attest, in a female voice, "unable to continue", over and over.Lewis' Voyager program has been used to trigger acoustic instruments and for this work, it's a piano. The saxophonist’s reedy squeaks are alternately tentative and plaintive, while Lewis delivers fairly conventional fare. George Lewis in conversation with Trevor Hunter May 11, 2010—1:00 p.m. in Lewis’s office at Columbia University Video presentation by Molly Sheridan Transcribed by Julia Lu. George Lewis Endless Shout (2000) 73: 73. The second piece, accurately titled, 'Voyager', begins with only a piano thus activated.

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