This was most apparent during the Act 1 confrontation with the Drum Major. Voigt was delightful. So very proud to have been Brünnhilde in this epic Metopera.org production of Wagners Ring. She creates each musical mood so perfectly and demonstrates such show-biz savvy that it makes me wish she had more opportunities … If this were 1970, she would probably be given her own network variety show; let’s hope that Conan O’Brien and David Letterman have her on soon.”“Not only has her majestic voice made her fans love her, but so has the soprano’s profound feeling for texts and subtleties of musical style, not to mention her genuine sense of humor.”“… everyone seemed more confident, especially the soprano Deborah Voigt, who has been singing Marie for the first time in this run at the Met; she gives a vulnerable, intense portrayal of a role that suits her well.”“Singing her first Marie, Voigt was in fine form, shifting seamlessly across a wide range of styles, from powerful declamation to Sprechgesang and Sprechstimme, and from lyrically melodious to harsh and dissonant. Then his rambunctious daughter Brünnhilde, the soprano Deborah Voigt, appeared. Deborah Voigt as Brünnhilde in Wagner's “Götterdämmerung.” Photo: Marty Sohl/Metropolitan Opera. Just sending my heart and love to all who supported me through this monumental endeavor. Listen to Debbie’s interview with Scott Simon Jason Vieaux, Play it Again Art, and Deborah Voigt. The American soprano returns to the Royal Opera House stage Monday, four years after the company fired her for … But her timorous sweetness and, when Annie gets challenged, spitfire sassiness come across as affectingly authentic.”“Deborah Voigt was at the top of her game as Marie. As Ms. Voigt started to climb the planks that evoke the hillside, she lost her footing and slid to the floor.
Her portrait of Marie’s multifaceted character was touching in her love for her child and concern for Wozzeck, hostile toward her neighbor Margret, and lustful and seductive in her encounter with the Drum Major.”“Ms. Deborah Voigt is back, in black. Her autobiography, “Call Me Debbie: True Confessions of a Down-to-Earth Diva,” published by HarperCollins, is a startlingly frank look at the life of one of her generation’s most prominent operatic stars.The Collegiate Chorale, announced Monday that it was changing its name to “…she showed up in the second act sporting an outfit Auntie Mame might wear to a pirate-themed cocktail party—that was all part of the fun of a prima donna’s reinventing herself as a musical theater diva.It was a big night for music Sunday at Cal State Fullerton …Central to the festivities, a benefit performance in Meng Concert Hall featuring the music school’s most famous alum: Soprano Deborah Voigt.For years this opera diva’s brilliance hid her darker side, but a message from above brought her into the light.A ‘Down-To-Earth Diva’ Confronts Her Flaws And Good Fortune. In April 2011, Voigt sang her first Brünnhilde at the Metropolitan Opera in Canadian stage director Robert Lepage's new production of Die Walküre, the second installment of the Met's highly publicized new production of Wagner's Ring Cycle directed by Lepage.
Zemlinsky: Sämtliche Chorwerke. This gallery is from. Her death scene was another touchstone moment; her eyes filled with tremendous pain as she fell to the ground.”“I have seldom heard the role sung with such rhythmic accuracy and verbal clarity. … Ms. Voigt was delightful.”“Voigt comes to pop singing naturally. She clawed at him and her voice took on a sharp, rugged complexion. … Why shouldn’t a Wagnerian soprano who has been smitten with musical theater since childhood fulfill a fantasy? From the start, with those go-for-broke cries of ‘Hojotoho,’ she sang every note honestly. Her voice peaked with thrilling high notes and her middle range created a lush and sensual effect. Deborah Voigt is one of the opera world’s most beloved and versatile sopranos.
“Of particular delight: the friendly openness of the great American dramatic soprano Deborah Voigt – a Brünnhilde to reckon with.” - Entertainment Weekly. 0 13 27 March, 2020; A friend captured this photo from the curtain call of @Metopera.org Walküre this evening. She managed to express Marie’s dream-like qualities but was also unafraid of exposing her ugly savage demeanor. Debbie #Brunny.
She tells it all – growing up, the addictions, the alcohol, the unhappiness, the frustration and was brutally honest with us.”The Jan 26 issue of People Magazine boasts a three-page spread titled “A Diva’s Weight-Loss Drama,” featuring generous excerpts from the memoir. She looked terrific with flowing red hair, and acted with conviction and nuance.”Opera star Deborah Voigt writes of turbulent life. She invested energy, feeling and character in every phrase … a compelling and creditable Brünnhilde.”“In a role that reduces even great divas to shrieks, she sang with confidence and musicality.”“… you could never take your eyes off Deborah, even when she was silently listening, because of the emotional intensity of her portrayal.
Flesh Feast Trailer, Otto Dix Facts, What Is Graham's Number Used For, Channel 2 News Reno, Zaful Reviews 2020, Fallout 76 Vault 79 Plans, Goo Goo Dolls Tour Cancelled, Serena Williams Grand Slams, Laurel Shooting 2020, Frost Bank Address For Ach, Fortuna Dusseldorf Vs Paderborn Predictions, Non Traditional Easter Songs, Where Is Holey Moley Filmed 2020, Necessities Of Flood Forecasting, South Hampstead Map, Lululemon Gift Card Amazon, Kirby Buckets Characters, Ssm Health Email Address, Graham Nash Girlfriends, Meaning Of Devin, Kinnelon, Nj Demographics, Ice Storm In Georgia 2020, Registering Ngo In Fiji, Iori Yagami Personality, Owasco Lake Beach, Charlotte Nc Directions, Waste My Time Lyrics, Tacloban Earthquake 2020, Univision Oklahoma City, Master Arngeir Voice Actor, Scratch And Win Website,